Opera Glasses " Style Wear, Spyware Or Optical Device?
Opera glasses was one of the byproducts of a long line of inventions. It started during 1608 with the Dutch optician Hans Lipperhey manufacturing binoculars comprising of two twin telescopes connected by a centerpiece. They had an impressive magnification ability of x3. Not to be left behind the Italian inventor Galileo Galilee within a year dramatically improved the design of telescopes, allowing a magnification of x30.
Binoculars gave a much wider field of view than telescopes, but since they had 2 convex lenses, the picture that you saw was inverted. It wasn't until 1617 that Anton Schyrle added an additional lens to re-invert the image. In 1758 John Dollond of England invented the achromatic (color free) lens and thereby solved the problem of color distortion.
One of the final important developments in binocular technology happened when the Italian gunnery officer Ignazio Porro invented prismatic binoculars, thereby once again increasing the field of vision dramatically and making much larger magnification possible.
The first time we find opera glasses mentioned in the printed media is in London during 1730. The opera glasses advertised were in fact not binoculars, but rather pocket-sized Galilean telescopes. They were used as much for decorative purposes as to watch the opera. The bodies were frequently decorated with mother of pearl, enamel, ivory or various types of gems.
Binocular-type opera glasses made their appearance for the first time during the '20s in Vienna. These early types were basically still only two small telescopes with a connecting bridge. The individual telescopes had to be focused by pulling out the tubes.
They soon became highly fashionable. Going to the opera without one of these was social suicide. The designs became increasingly elaborate. Often you would find an optician, a painter and a goldsmith working on the glasses before they were finally ready for their discerning owners. Once at the opera, they were not only used to watch the stage though - they were also regularly used to check out the other guests to make sure there wasn't by any chance someone with a more elaborate set of opera glasses!
Within a few years the design was improved to make it possible to simultaneously adjust both lenses. This led to an immediate increase in the popularity of this type of glasses. They also turned into much appreciated gifts - as is apparent when looking at the inscriptions encountered on many opera glasses dating from that period.
Although there are nowadays a multitude of different types of opera glasses on the market, they fall into two categories: monocular and binocular. Within those categories you get all the colors of the rainbow and all the styles and materials you can think of. You even get opera glasses with handles and reading lights. One of the more unusual types is one with a jealousy glass - so you can unobtrusively watch someone else in the audience! - 18762
Binoculars gave a much wider field of view than telescopes, but since they had 2 convex lenses, the picture that you saw was inverted. It wasn't until 1617 that Anton Schyrle added an additional lens to re-invert the image. In 1758 John Dollond of England invented the achromatic (color free) lens and thereby solved the problem of color distortion.
One of the final important developments in binocular technology happened when the Italian gunnery officer Ignazio Porro invented prismatic binoculars, thereby once again increasing the field of vision dramatically and making much larger magnification possible.
The first time we find opera glasses mentioned in the printed media is in London during 1730. The opera glasses advertised were in fact not binoculars, but rather pocket-sized Galilean telescopes. They were used as much for decorative purposes as to watch the opera. The bodies were frequently decorated with mother of pearl, enamel, ivory or various types of gems.
Binocular-type opera glasses made their appearance for the first time during the '20s in Vienna. These early types were basically still only two small telescopes with a connecting bridge. The individual telescopes had to be focused by pulling out the tubes.
They soon became highly fashionable. Going to the opera without one of these was social suicide. The designs became increasingly elaborate. Often you would find an optician, a painter and a goldsmith working on the glasses before they were finally ready for their discerning owners. Once at the opera, they were not only used to watch the stage though - they were also regularly used to check out the other guests to make sure there wasn't by any chance someone with a more elaborate set of opera glasses!
Within a few years the design was improved to make it possible to simultaneously adjust both lenses. This led to an immediate increase in the popularity of this type of glasses. They also turned into much appreciated gifts - as is apparent when looking at the inscriptions encountered on many opera glasses dating from that period.
Although there are nowadays a multitude of different types of opera glasses on the market, they fall into two categories: monocular and binocular. Within those categories you get all the colors of the rainbow and all the styles and materials you can think of. You even get opera glasses with handles and reading lights. One of the more unusual types is one with a jealousy glass - so you can unobtrusively watch someone else in the audience! - 18762
About the Author:
Before you attend any performance make sure that you have a good pair of opera glasses. Here you can check out Opera Glasses with handle, flashlight, chain and more!
posted by X - Men at
12:33 AM
0 Comments:
Post a Comment
Subscribe to Post Comments [Atom]
<< Home