Acoustic Guitar Lessons DVD: Determine What and Where To Practice
In this essay, I am going to apply a number of the Principles of Correct Practice to a technical area that is of major concern to players. For beginners, it poses one of the most challenging difficulties, and an incomplete appreciation of it's difficulties dogs many an advanced player (sometimes without them being aware of it).
If you are like most players, you are desiring to become a better guitar player. Through my own learning experience and through teaching well over 1,000 students, I have learned a lot on this subject. Students often ask why they are not not at the level that they desire to be and what can be done about it. I have asked myself this same question many times in the past. A long time passed before I began to understand the answers.
After coming to an awareness of the existence of a "bad habit", develop an understanding of how it got there. What weren't you doing that allowed that situation to develop. Of course, it always reduces down to something you weren't aware of that you should have been paying attention to, been more intense about during your practice.
As weeks and months go by, your old "bad habit" will begin to weaken, it will change. It will be replaced by the new finger action you are training into the fingers. The important point to realize is that the new habit will take over, if you are doing the proper proportion of correct practice on the bad habit.
The sculptor visualizes what he/she wants to create. The act of carving away at the raw material is a form of "destructive creation". In the beginning there is only a block of marble, stone or wood. The sculptor must remove all the material that is not needed so that only the finished sculpture remains!
Segovia (the classical guitar master) wasn't well rounded - he didn't waste his time to master jazz or bluegrass for example. Yngwie Malmsteen didn't study intense jazz guitar. Most great jazz guitarists don't study classical guitar or heavy metal guitar.
Measure your progress. Document your practice time. Keep a record of how much you practice each day. For technique things, use a metronome to see how fast you are able to play a particular scale, exercise, lick, arpeggio, etc. cleanly. Write down the result, practice it all week and see if you can play it one or two beats per minute faster by next week (or next month).
Music just happens to be your medium and guitar just happens to be your instrument, but YOU are the artist. From this day forward when someone asks you what you do or who you are, don't reply by saying you are a guitarist or musician. - 18762
If you are like most players, you are desiring to become a better guitar player. Through my own learning experience and through teaching well over 1,000 students, I have learned a lot on this subject. Students often ask why they are not not at the level that they desire to be and what can be done about it. I have asked myself this same question many times in the past. A long time passed before I began to understand the answers.
After coming to an awareness of the existence of a "bad habit", develop an understanding of how it got there. What weren't you doing that allowed that situation to develop. Of course, it always reduces down to something you weren't aware of that you should have been paying attention to, been more intense about during your practice.
As weeks and months go by, your old "bad habit" will begin to weaken, it will change. It will be replaced by the new finger action you are training into the fingers. The important point to realize is that the new habit will take over, if you are doing the proper proportion of correct practice on the bad habit.
The sculptor visualizes what he/she wants to create. The act of carving away at the raw material is a form of "destructive creation". In the beginning there is only a block of marble, stone or wood. The sculptor must remove all the material that is not needed so that only the finished sculpture remains!
Segovia (the classical guitar master) wasn't well rounded - he didn't waste his time to master jazz or bluegrass for example. Yngwie Malmsteen didn't study intense jazz guitar. Most great jazz guitarists don't study classical guitar or heavy metal guitar.
Measure your progress. Document your practice time. Keep a record of how much you practice each day. For technique things, use a metronome to see how fast you are able to play a particular scale, exercise, lick, arpeggio, etc. cleanly. Write down the result, practice it all week and see if you can play it one or two beats per minute faster by next week (or next month).
Music just happens to be your medium and guitar just happens to be your instrument, but YOU are the artist. From this day forward when someone asks you what you do or who you are, don't reply by saying you are a guitarist or musician. - 18762
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